It ‘aint necessarily so.
On
It was a comfort to read in The DT’s Review that when , after writing two successful books about the death of her husband and then her daughter’s serious illness, Joan Didion on being asked to write a play said, ‘I did not want to write a play. I had never wanted to write a play. I did not know how to write play.’
On meeting David Hare, who was to direct it she asked him how ‘long’ a play should be. ‘He did a word count on his own Via Dolorosa: 15,000 give or take.’
The point being that even someone as gifted as she is, feels uncertain when tackling something new. (The play, by the way, was ‘The Year of Magical Thinking’)
Thus I was surprised to read - over a year later – in an obituary of Ruth Ford actress , model and renowned American hostess :-
‘During the 1960s she returned to
Both pieces were by the Daily Telegraph. Odd!
Ruth Ford sounded quite a gal. She died recently aged 98 and modelled for Man Ray, Cecil Beaton and Pierre Balmain. She abandoned modelling for the stage and Orson Welles hired her for his Mercury Theatre in
‘What a personality that girl needs.’
What she is most remembered for is the salon she created in her apartment in the Dakota building in
Her social life in her later years was reduced to telephone calls from her bedroom which seems to happen to many, very old ladies.
‘It’s easier this way,’ she said, ‘I don’t bother to dress.’
